12/13/2024

6 Reasons I’m Still Collecting CDs in 2024

CD sales are on the rise again, and for good reason. In fact, there are a lot of good reasons.

It’s 2024 and streaming makes up more than 84 percent of the music industry. But there’s still a lot of love for physical audio formats. Vinyl is in a huge resurgence, of course, with sales growing year after year since 2005. In 2023, more than 41 million LPs were sold in the U.S. alone.

As for CDs, well, you might be surprised that people are still listening to them. In fact, I’m one of them. After being in a steady decline since 2000, CD sales are actually rising. Last year, almost 37 million CDs were sold — up nearly three percent year over year.

Here are all the reasons I collect CDs and think you should, too.

1. CDs sound better than vinyl

One of the great myths in the audio world is that vinyl sounds better than CDs. It’s just not true.

Don’t get me wrong. I love vinyl’s warm analog sound, specifically its crackling and other imperfections. And there’s the visceral experience of actually dropping the needle on a spinning record.

But CDs are simply the best sounding physical audio format. Compared to vinyl, CDs are able to produce a wider dynamic range and more bass. Plus, they’re not going to skip (unless they’re scratched).

2. CDs sound better than streaming files, too

If you’re streaming music from the likes of Spotify, Apple Music or Tidal, you’re listening to a compressed music file. That means that the audio data is being stored in less space, which results in a loss of information and the music isn’t going to sound as vibrant or as complete. MP3, AAC, WMA are all types of compressed music files.
Most songs on streaming services are compressed files, meaning songs don’t sound as vibrant or complete.Photo by Henry Phillips

The best compressed digital music files are referred to as lossless because they don’t lose information, but only a few streaming services are able to play lossless or CD-quality audio — such as Tidal, Amazon Music HD and Apple Music — and those require a subscription and can be pretty expensive.

3. CDs are significantly cheaper than vinyl

If you’re looking for a superior audio format, CDs are the best deal you’re likely to get. To be frank, they’re cheap to buy. Audio shops and retailers are practically giving away used CDs, while new CDs are usually in the $12 to $15 price range.

If you’re looking for vinyl, on the other hand, a new record will likely cost twice as much as that. Also, there’s the resale value of CDs and vinyl. It might not be much, but you can sell your old records and CDs online or to record shops. If you buy a digital song, like an mp3 file, there’s no resale value.

4. CD booklets are underrated

In this streaming age, the album artwork seems to be more of an afterthought (to consumers, at least). Sure, you see a little picture of the album cover when you’re listening to a song, but you’re missing the story of the album.When you stream music, you lose one of the best parts about listening to a new album: diving into the booklet that comes with a CD.Cambridge Audio

The 12×12 album cover of a vinyl record is still the gold standard, but the little booklet that comes with each CD, highlighting some behind the scenes shots or interesting artwork, and showing the lyrics to each song, is a nice middle ground between having to rely on digital images and having to store giant vinyl records.

As a kid, I always enjoyed getting a CD and flipping through the booklet — something I still try to do. I think it makes you feel more connected to the music.

5. Artists still release CDs of their new albums

Yes, you can still buy the latest albums of modern artists as CDs. They are releasing their new albums in CD formats just like they are also releasing them vinyl.

You can buy these new CDs at pretty much any music shop. But if you’re struggling to find a CD of a specific artist, it’s worth going to their official website — a lot of artists and bands these days sell direct-to-consumers these days as well.

6. Audio companies are still releasing new CD players

The portable CD player is mostly a thing of the past, but, believe it or not, big-time audio companies are still releasing CD players for the home. Why? Because audiophiles are still craving them.

In the past few years, companies such as Cambridge Audio, Panasonic, McIntosh, Rotel and Sony have all released new CD players (or integrating them into digital streamers).

These players are a great option for people who have a large CD collection and don’t want to pay for a music server (or spend the time uploading all their entire CD library to it). Also, high-end CD players aren’t terribly expensive.

Source: https://www.gearpatrol.com/audio/reasons-to-buy-cds/

8/31/2024

Why CDs Are Still Worth Buying in 2024 (Yes, Seriously)

Key Takeaways

CDs can offer savings over music subscriptions by providing lifetime ownership at affordable prices.

CD quality surpasses compressed digital formats while avoiding storage issues with lossless formats.

Physical CD collections provide aesthetic appeal, reflect your personality, and are more practical than tape and vinyl.

Old-school music tech is back in a big way—we are witnessing a significant resurgence in vinyl, cassette, and CD sales. As much as I love the convenience of music streaming services, here is why I believe CDs are still worth buying in 2024:


CDs Save You Paying for a Music Subscription Service

I have a music streaming subscription but often find myself listening to the same playlists, which makes me wonder if it's worth the monthly fee. Much of the music I listen to on Spotify already exists in my home music collection, and I'm chiefly paying for the convenience and practicality of music streaming. It begs the question: would the hundreds of dollars I pay yearly for music subscriptions be better spent on physical recordings?

Music streaming has revolutionized the industry, but the impact is not all positive. Artists are paid less, while record companies and streaming services are getting the lion’s share. Algorithms shape our decisions and set trends, while new artists aren't necessarily getting the exposure they deserve. Additionally, streaming services frequently charge a premium for CD-quality sound.


CD Quality Beats Compressed Digital Formats

Music streaming services like Apple Music, Amazon Music Unlimited, and Tidal already provide high-resolution audio. With the imminent release of Spotify HiFi, all major platforms will offer us the option to stream in 16-bit or higher quality that matches or exceeds that of CDs. However, much of this quality is lost on the average listener unless the music is played on high-end equipment or transmitted via premium Bluetooth codecs when connecting wirelessly.



Due to digital music's binary nature, CD quality is theoretically inferior to analog sound reproduction. Still, it beats the quality of compressed digital formats like MP3 by a large margin. The 16-bit 44.1 kHz standard CDs offer can reproduce all frequencies detectable by the human ear, but MP3 and other compressed formats are a significant compromise. If you choose to store your digital music library on a hard drive, storage device, phone, or digital music player (yes, these are also making a comeback), you have to use a lossless format like ALAC, AIFF, WAV, or FLAC to achieve CD-quality sound.


CDs Save You Using Storage Space on Your Devices

The problem with lossless formats is that they have much larger file sizes. Depending on the size of your music collection, this may lead to compromises when using a portable device to listen to your music, and it might dominate space on your computer's hard drive. I use a laptop with a decent amount of storage. However, I have had to relocate my digital music files to an external hard drive to ensure enough space for music creation and video editing.


A CD is a digital storage device in its own right, and if you have the available room, it makes sense to give your music collection a dedicated space distinct from your digital devices. As I prepare to dust off my old CD collection, I am seriously considering buying a modern CD player to get the best possible results and expanding my collection to include new purchases and music converted from my vinyl collection.


CD Players Can Be Compact and Stylish

The world has changed since the CD's heyday, and we tend to favor compact devices over large Hi-Fi separates and boxy floor-standing speakers. Modern entertainment centers seldom have enough room to house much more than a gaming console, a soundbar, and a TV streaming box, but thankfully, CD players have also moved with the times.


While it is still possible to buy 19-inch Hi-Fi separates, many manufacturers are producing scaled-down CD players that produce excellent results. Some exceed thousands of dollars in price, suggesting that the CD format is alive and well in audiophile circles. On the other end of the scale, some of the best new CD players are practical, affordable, and include modern features such as Bluetooth connectivity.


CDs Are Often Cheap to Buy

CDs can be affordable and come with lifetime ownership, unlike subscription services, where even your downloads ultimately expire. New releases on CD usually cost around $15, whereas classic albums and compilations can be found for between $5 and $10 on Amazon. Unsurprisingly, CD prices are lower in used markets, with popular releases selling for as little as $2 to $5 online.

CDs can still be found even cheaper in charity shops and thrift stores, although there's an element of chance involved regarding whether you will find something you like. That said, shopping for records is one of the greatest pleasures of owning physical music. I have spent entire afternoons looking for bargains and hidden gems among the racks of CDs—something that is becoming lost in the age of streaming media.

It Feels Good to Have a Physical Music Collection on CD

Like your taste in clothes or the artwork on your wall, your music collection says a lot about you. Physical music media comes with attractive images and informative liner notes, and a CD collection, like a well-stocked bookshelf, lends aesthetic appeal to a living space. There's much to be said for perusing a shelf full of CDs to consider what to play—something that often can't be said for scrolling through an app where you'll likely be bombarded with suggestions that don't reflect your mood.


As a vinyl collector for over twenty years, I am a fan of physical music media, but CDs are more robust, so I don't get nervous when a friend fumbles through my collection. A well-looked-after CD should last a lifetime, and building a sizable CD library shouldn't take long. You can also easily convert your analog media to CD format as a backup to save it from wear and tear and listen to it on the move.

It's easy to see why CDs declined in popularity. With the proliferation of digital music players, MP3 quickly became the gold standard, damaging the entire music industry as piracy and duplication were rife. To their credit, music streaming services have helped rectify some of these issues, but a new generation is happy to return to basics. As someone who loves their vinyl collection but likes to listen to music on the move, CDs provide the perfect compromise, especially if I decide to take my music entirely offline.

Source: https://www.makeuseof.com/why-cds-are-still-worth-buying/

1/23/2024

XRCD / K2HD / SHM HD Discs by JVC

Extended Resolution Compact Disc (XRCD) is a mastering and manufacture process patented by JVC (Victor Company of Japan, Ltd) for producing Red Book compact discs. It was first introduced in 1995.

An XRCD is priced about twice as high as a regular full-priced CD. JVC attributes this to the higher cost of quality mastering and manufacturing.
 

Technical overview

The XRCD definition refers to the mastering and manufacture process; the resulting CD and the contained data conform to the redbook standard and are encoded at 16 bits, 44.1 kHz. Hence, XRCDs are playable on any compact disc player.

JVC uses advanced dither algorithms (though without noise shaping) in their K2 technology to transfer the analog or digital source to physical disc. The company claims to have studied how inferior CD-remastering techniques degrade the master tape sound and strives to minimize this loss.

Unlike HDCD, the extra four bits cannot be recovered, as this method of mastering only aims to improve dithering to 16-bit, rather than to store extra data.
 

Mastering process

If analog, the source material is first converted to digital via JVC's K2 20-bit or 24-bit analog-to-digital converter.

The musical information is next encoded on a magneto-optical disk for transport to JVC's Yokohama manufacturing plant, where jitter reduction is applied. The musical signal on the disk is down-converted to 16-bit through a K2 "super-coding" process. This 16-bit signal is eight-to-fourteen modulation-encoded (EFM-encoded) before going through a proprietary "Extended Pit Cut" DVD K2 laser technology to produce a glass master. JVC claims this optimizes the linear velocity of the glass master, giving precise pit lengths to eliminate time jitters, controlled by an extremely precise rubidium clock. All CDs are finally stamped directly from this glass master.

XRCD2 and XRCD24 are improved versions of the original XRCD process. XRCD2 is the first to record to a magneto-optical disk via the digital K2 regenerator, while XRCD24 upgrades the original music signal's bit depth signal from 20 to 24 bits. 

Source: https://en.wikipedia.org/wiki/Extended_Resolution_Compact_Disc


K2 HD Mastering

K2 HD Mastering:
This is an epoch-making mastering technology which can pack the original attractive sound quality of master sources in each media with the information of quite wide frequency range up to 100kHz and high resolution of 24bit based upon K2 High Definition coding technology.
In case of CD mastering, it can realize very high sound quality CD which never existed before by packing the information of 192kHz and 24bit in CD master format of 44.1kHz and 16bit.


It depends on the master sources.

*In case of completed master sources such as "Analog Masters" with attractive original sound, it can keep all the information included in the master sources without any change.

*In case of Digital master sources (3/4U-matic, DAT etc.) in which the information or sound quality has already changed compared with the original masters, it can reproduce the sound quite close to the original.

*In case of master sources which need higher sound quality, it can be realized in an active and creative way.

"K2HD MASTERING" requires engineers to have enough skills in handling the equipments knowing well the special character of "K2 High Definition Coding", coping with the various situations such as the status of provided master formats, in judging the sound quality, and the best approach depending on the music genres and contents.

"K2HD MASTERING" can exist only by the engineers' manpower with high judgment for sound quality, and high skills which can match it best to the sound sources to be mastered.



The main purpose of "K2HD MASTERING" is to reproduce the charms packed in the original master sources as much as possible. It is especially effective for the reproduction of rich ambience and sound reality. Particularly it’s recommended for jazz and classical music full of sound reality played by acoustic instruments.


The direction of completed sound depends on the contents of masters but as a whole, it will be with a lot of analog taste full of depth which is soft as well as with high frequency range. Therefore, it's best for mastering of old master sources.


The process of K2HD MASTERING is the same as the one of normal mastering.


There's no special restriction for the format of original master sources or the completed format after mastering. The sound sources can be exchanged through Internet as well.

In case of CD manufacturing, as the master sound quality becomes much better by K2HD MASTERING, it will be possible to manufacture high quality CDs even if the process after mastering is the same as usual.

Of course, it's possible to play such CDs on normal CD players, which can show enough effect of K2HD MASTERING.


Epoch-making new mastering technology which can pack the original attractive sound quality of master sources brought out by mastering engineers' sensitivity and skill in each media with the information of quite wide range up to 100kHz and high resolution of 24bit based upon K2 High Definition coding technology.


The following points are necessary for K2HD MASTERING.
*Mastering engineers with high sensitivity for sounds and enough skill
*Attractive pieces of music
*Master sound sources with enough information

 


This CD is mastered with superior skill of mastering engineer and revolutionary "K2 High Definition Coding" technology. K2HD MASTERING enhances sound spectrum to a bandwidth of 100 KHz and 24-bit resolution, while retaining all the charm of the original recording. K2HD mastered CDs offer extended nuance, dynamics and musicality and are playable on any CD player.


K2 High Definition Coding:
New technology developed by JVC group (JVC & Victor Entertainment) which can pack the information of wide frequency range up to 100kHz and high resolution of 24bit into lower format. This is a part of "K2 technology" which is JVC's original technology for higher digital sound quality started in 1987.


In CD's case, it is possible to pack the information of 192kHz & 24bit into the format of 44.1kHz & 16bit.


K2 Technology:
In 1987, JVC and Victor Musical Industries started to cooperate with each other to improve the digital sound quality, and developed this "K2 technology" as JVC's original.

To begin with "K2 interface", innovative technology to cancel fundamentally the elements out of signals such as "jitter and ripple" added at the time of transmission of digital signals which affect much the sound quality, this technology has been active in various professional recording and mastering studios as essential technology to stabilize and improve the sound quality by removing various factors which might affect the sound quality in the process of data transmission or change of media.


JVC is proud of this technology including the newest "netK2" and "K2HD coding" toward all over the world which is evolving day by day.

Source: https://hificable.dk/k2-hd-mastering/

Below is a sample XRCD:





SHM CD Discs

Since its first release of 2007, SHM-CD format has gained much popularity and been highly-acclaimed by audiophiles around the world especially who put the importance on the quality of the sound the most. This page will show you all about SHM-CD format for further understanding on it. It would be great if this page helps your next adventure to the pursuing-the-high-fidelity-audio world.

About SHM-CD

SHM-CD (Super High Material CD) is a superior quality CD fully compatible with all CD players. SHM-CD utilizes a polycarbonate material originally developed for LCD screens, and the enhanced transparency of the SHM-CD results in more clarity, depth and definition of sound, bringing the listener ever closer to the music of the original master.
*Results may vary depending on playback environment.

Features of the SHM-CD: Production

The injection molding system developed by JVC KENWOOD enhances the increased fluidity and greater transfer qualities of the polycarbonate, creating a new and improved disc in a compatible CD format.
  • The machine utilizes a precision master metal stamper also developed by JVC KENWOOD.
  • SHM-CD has it’s own production line, exclusively created for manufacturing SHM-CDs.

At JVC KENWOOD, we take pride in this meticulous production process, and prioritize quality over quantity.

Features of the SHM-CD: Quality


  • Every SHM-CD is made from a highly transparent polycarbonate originally designed for LCD screens.
  • Increased fluidity and greater transfer qualities of the polycarbonate allow for finer precision in pit formation.
  • Cleaner audio signals reduce jitter and the effects of birefringence.
Birefringence is the refraction of light in two slightly different directions to form two rays, scattering the radar and leading to poor reading. The superior transparency of this polycarbonate substrate (1.2mm thick) reduces the effects of birefringence resulting in a more accurate reading by the laser (780nm).

Features of the SHM-CD: Hardware


  • Conforms to the Red Book specification and definition of a Compact Disc Digital Audio.
  • Compatible with all CD players.
  • A CD with exceptional qualities across the board.
  • Superior manufacturing process extracts the highest possible sound quality.
 

Features of the SHM-CD: Sound Quality


  • Crystal clear sound.
  • Significantly higher resolution.
  • Excellent balance and stability.
  • Reduction in distortion, and improvement in bass range volume.


Source: https://www.cdjapan.co.jp/feature/shmcd_allabout